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Measures: 35 - 60
Measures: 60 - 150
Unique Notes: 6 - 10
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SDG
Panis Angelicus, César Franck.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.
SDG
3:35 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
Organ Treble 16 31 1 5 63%
Pedal Bass 12 0 0 6 54%
Bassoon Bass 12 1 0 5 44%
Soprano Treble 10 0 1 6 22%
Tenor Treble 10 0 1 6 22%
 
Herz Jesu, Josef Rheinberger, WoO 41.
SDG
1:49 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 10 1 0 6 100%
Bass 10 0 3 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 10 1 0 6 100%
Bass 10 0 3 6 100%
Tenor Treble 13 0 3 6 100%
Treble 11 0 3 6 100%
 
Wachet auf, ruft uns die Stimme, BWV 645.
SDG
3:57 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 21 0 7 7 100%
Pedal Bass 21 0 6 3 99%
Violoncello Bass 10 0 0 9 48%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 21 0 7 7 100%
Pedal Bass 21 0 6 3 99%
Violoncello Bass 10 0 0 9 48%
 
Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Abendlied, Josef Rheinberger.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Panis Angelicus, Original. César Franck. Best with headphones on! Het beste met koptelefoon/hoofdtelefoon op te beluisteren.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
Der Herr ist mein Hirt, Bernard Klein, male choir with piano accompaniment.
SDG
4:20 Est. Play
Time
93 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
forte		 Treble 18 37 4 5 97%
Bass 25 57 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
forte		 Treble 18 37 4 5 97%
Bass 25 57 7 4 100%
Basso
II		 Bass 13 0 5 4 97%
Basso
I. 		Bass 9 0 3 5 96%
Tenore
I 		11 0 2 6 96%
Tenore
II		 10 0 2 4 96%
 
Tuba mirum spargens sonum, Requiem Mozart, KV 626.
SDG
3:26 Est. Play
Time
63 Measures
1,101Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[Violoncello
e]
Basso
 Bass 21 0 7 6 90%
Violino
I.		 Treble 25 1 10 5 89%
View all 24 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[Violoncello
e]
Basso
 Bass 21 0 7 6 90%
Violino
I.		 Treble 25 1 10 5 89%
Violino
II.		 Treble 18 2 5 5 89%
Contrabass Bass 20 0 6 6 83%
Viola
I,
II.		 19 7 6 5 79%
Tenore
solo		 Treble 13 0 5 7 45%
Basso
solo		 Bass 18 0 5 8 41%
Soprano
solo		 Treble 9 0 2 6 32%
Tenor Treble 13 0 5 7 30%
Treble 13 0 5 7 30%
Treble 13 0 5 7 30%
Alto
Solo		 Treble 12 0 4 7 27%
Treble 12 0 4 6 11%
Bass Bass 16 0 3 8 25%
Bass 16 0 3 8 25%
Bass 16 0 3 8 25%
Trombone Bass 16 0 4 6 25%
Bass 16 0 4 6 25%
Trombone
[tenore]
solo		 16 0 4 6 25%
Soprano Treble 9 0 2 5 16%
Treble 9 0 2 5 16%
Treble 9 0 2 5 16%
Alto Treble 12 0 4 6 11%
Treble 12 0 4 6 11%